Somewhere in the world someone is watching you do that thing you did, or someone soon will be. It doesn’t feel even mildly controversial to call you the most important woman in the history of television comedy — meaning no disrespect to Carol Burnett, Tina Fey and Mary Tyler Moore — or television, period.
“I Love Lucy” itself, which will celebrate its 60th birthday in October, even now still feels contemporary and timeless, recognizably modern and rooted in old theatrical verities.
On a purely visual level, the decision of husband, business partner and co-star Desi Arnaz the man who invented multi-camera comedy, to make the show on film gives it a continuing vivid presence. It looks as good now as it ever did: crisp, clear and immediate — better, probably, given digital remastering and sharper TVs. And the stories, though sometimes thick with complication, are elemental in what drives them: The jokes are built on character, not on passing cultural references and ironic puzzles that future audiences will need footnotes to understand.
Viewed carelessly from a distance the series might seem to reflect a common view of the 1950s, that it was a decade of almost enforced, picket-fence normalcy after the social somersaults of the Second World War: father at work, mother at housework — the suburban dream world we see in many 1950s comedies.
But “I Love Lucy,” which spanned that decade, offered something quite different. Its characters are (relatively) sophisticated urban apartment-dwellers who eat in restaurants and go to nightclubs and travel to Europe. Age and Fred Mertz’s perpetual grumpiness apart, they’re youthful, often childish adults. They play pranks and make dares, they sing and they dance. Even with Little Ricky to look after, and occasional intimations of tight money, they are remarkably carefree. I was born the same year that “little Ricky” well actually their real son Desi Jr. was born.
Ball was already 40 when “I Love Lucy” premiered, on Oct. 15, 1951, and 49 when the show it became, “The Lucy-Desi Comedy Hour,” aired its final episode, on April Fools Day 1960.